托马斯·E·克洛（Thomas E. Crow）是美国艺术史学家和艺术评论家，以其关于艺术在现代社会和文化中的作用的影响力著作而闻名。自2007年以来，克劳（Crow）一直担任纽约大学美术学院现代艺术罗莎莉·索洛（Rosalie Solow）教授。 蒋苇，浙江大学与纽约大学联合培养博士，硕士就读于华东师范大学与爱丁堡大学，致力于现当代艺术史研究以及当代艺术评论

托马斯·E·克洛（Thomas E. Crow）是美国艺术史学家和艺术评论家，以其关于艺术在现代社会和文化中的作用的影响力著作而闻名。自2007年以来，克劳（Crow）一直担任纽约大学美术学院现代艺术罗莎莉·索洛（Rosalie Solow）教授。 蒋苇，浙江大学与纽约大学联合培养博士，硕士就读于华东师范大学与爱丁堡大学，致力于现当代艺术史研究以及当代艺术评论

During the 1960s, Morris Dickstein claims, America seemed to be at the gates of Eden verging on a new way of experiencing life, art, and culture. In this book, he discusses how America reached the gates and why, in the end, they remained closed. Beginning with Allen Ginsberg and the Beat poets of the late 1950s, Dickstein traces the rise of a new sensibility in American thought...(展开全部)

During the sixties, says Morris Dickstein, America seemed to be at the gates of Eden--verging on a new way of experiencing life, art & culture. In this provocative book, he discusses how we reached the gates & why, in the end, they remained closed. Beginning with Allen Ginsberg & the Beat poets of the late fifties, Dickstein traces the rise of a new sensibility in American thou...(展开全部)

During the sixties, says Morris Dickstein, America seemed to be at the gates of Eden--verging on a new way of experiencing life, art & culture. In this provocative book, he discusses how we reached the gates & why, in the end, they remained closed. Beginning with Allen Ginsberg & the Beat poets of the late fifties, Dickstein traces the rise of a new sensibility in American thou...(展开全部)

During the 1960s, Morris Dickstein claims, America seemed to be at the gates of Eden verging on a new way of experiencing life, art, and culture. In this book, he discusses how America reached the gates and why, in the end, they remained closed. Beginning with Allen Ginsberg and the Beat poets of the late 1950s, Dickstein traces the rise of a new sensibility in American thought...(展开全部)

An argument that America's economy needs a strong and innovative manufacturing sector and the jobs it creates. “There's no author whose books I look forward to more than Vaclav Smil.”—Bill Gates In Made in the USA, Vaclav Smil powerfully rebuts the notion that manufacturing is a relic of predigital history and that the loss of American manufacturing is a desirable evolutionary ...(展开全部)

瓦科拉夫•斯米尔（Vaclav Smil），马尼托巴大学终身名誉教授，曾在2010年被《外交政策》（Foreign Policy）杂志评选为“全球百位思想家”。他研究的领域涉猎广泛，并作跨学科研究，包括能源、环境、食品、人口、经济、历史和公共政策等。他还将这些方法应用到研究中国的能源、食品和环境问题上。 瓦科拉夫•斯米尔曾在能源、环境、粮食和技术发展史等领域出版了30多本专著，其中包括MIT出版社出版的《全球化的原动机：柴油机和蒸汽涡轮机的历史和影响》（Prime Movers of Globalization：The History and Impact of Diesel Engines and Gas Turbines）和《生物圈的丰收：我们从自然界拿走了什么》（Harvesting the Biosphere: What We Have Ta...(展开全部)

An argument that America's economy needs a strong and innovative manufacturing sector and the jobs it creates. “There's no author whose books I look forward to more than Vaclav Smil.”—Bill Gates In Made in the USA, Vaclav Smil powerfully rebuts the notion that manufacturing is a relic of predigital history and that the loss of American manufacturing is a desirable evolutionary ...(展开全部)